loreal se metal detox shampoo refill set 2x500ml
SKU: 28500179539

loreal se metal detox shampoo refill set 2x500ml

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Description

loreal se metal detox shampoo refill set 2x500mlLeiden Sie unter stumpfem, brchigem Haar nach dem Frben oder Blondieren? Hufig sind Metallpartikel im Leitungswasser schuld daran. Das L'Oral ProfesSionnel Metal Detox Shampoo Nachfllset ist genau das Richtige, um Ihre Farbe lnger frisch zu halten und Haarbruch zu reduzieren. Das Set enthlt eine praktische 500 ml Flasche und eine Nachfllpackung mit 1,8 Litern, damit Sie immer gengend Vorrat haben. Was sind die wichtigsten Eigenschaften des L'Oral

Leiden Sie unter stumpfem, brüchigem Haar nach dem Färben oder Blondieren? Häufig sind Metallpartikel im Leitungswasser schuld daran. Das L'Oréal ProfesSionnel Metal Detox Shampoo Nachfüllset ist genau das Richtige, um Ihre Farbe länger frisch zu halten und Haarbruch zu reduzieren. Das Set enthält eine praktische 500-ml-Flasche und eine Nachfüllpackung mit 1,8 Litern, damit Sie immer genügend Vorrat haben.

Was sind die wichtigsten Eigenschaften des L'Oréal ProfesSionnel Metal Detox Shampoo Nachfüllsets?

Dieses Shampoo geht über reine Reinigung hinaus. Es bekämpft die Ursache von stumpfem, brüchigem coloriertem Haar: Metallpartikel, die über das Leitungswasser ins Haar gelangen. Entdecken Sie auch die komplette Kollektion von L'Oréal Metal Detox für passende Produkte.

  • Entfernt Metallpartikel wie Kupfer aus dem Haar
  • Farbe bleibt länger frisch und strahlend
  • Weniger Haarbruch beim Kämmen im nassen Zustand
  • Sulfatfrei: sanft genug für die tägliche Anwendung
  • Für alle Haartypen geeignet, auch blondiertes Haar
  • Set: 500-ml-Flasche + 1,8 l Nachfüllpackung
  • Nachfüllpackung reduziert Plastikmüll

Wie verwende ich das Metal Detox Shampoo Nachfüllset?

  1. Halten Sie Ihr Haar unter der Dusche gründlich nass.
  2. Verteilen Sie eine großzügige Menge Shampoo im nassen Haar und massieren Sie es gut ein.
  3. Lassen Sie das Shampoo etwa eine Minute einwirken.
  4. Spülen Sie es anschließend mit lauwarmem Wasser gründlich aus.
  5. Wiederholen Sie die Anwendung bei Bedarf, besonders wenn Ihr Haar viele Stylingrückstände hat.
  6. Füllen Sie die 500-ml-Flasche mit der 1,8-l-Nachfüllpackung nach, sobald sie leer ist.

Möchten Sie noch bessere Ergebnisse? Kombinieren Sie das Shampoo mit der Absolut Repair Molecular Mask. Diese Maske stärkt die Haarstruktur von innen und wirkt Perfect zusammen mit einem reinigenden Shampoo wie diesem.

Warum wirkt dieses Shampoo so effektiv gegen Kupfer und hartes Wasser?

Ihr Haar fühlt sich stärker an und die Farbe bleibt länger schön. Das verdankt es Glicoamine, einem kleinen Molekül, das Metallpartikel tief in der Haarstruktur aufspürt und neutralisiert. Metall im Leitungswasser, wie Kupfer, lagert sich am Haar an und verursacht Stumpfheit, Farbverlust und Haarbruch. Dieses Shampoo für coloriertes Haar bekämpft das Problem direkt beim Waschen. Die sulfatfreie Formel reinigt gründlich, ohne das Haar auszutrocknen. Möchten Sie wissen, ob es auch für Ihr Haar geeignet ist? Probieren Sie das Set aus und spüren Sie den Unterschied nach wenigen Haarwäschen. Entdecken Sie weitere Produkte von L'Oréal ProfesSionnel für eine komplette Haarpflegeroutine.

Ist das Metal Detox Shampoo auch für blondiertes Haar geeignet?

Ja, das Metal Detox Shampoo eignet sich hervorragend für blondiertes Haar. Blondiertes und balayaged Haar ist empfindlicher gegenüber Metallablagerungen, wodurch Highlights schnell stumpf oder warm im Ton werden. Wenn Sie sich fragen, ob loreal metal Detox gut für blondiertes Haar ist: Nutzer mit hellem Haar bemerken nach regelmäßiger Anwendung, dass ihre Highlights kühler und frischer bleiben. Die sulfatfreie Formel ist sanft genug für die tägliche Anwendung, ohne die Farbe zu schädigen.

Was ist der Unterschied zwischen Metal Detox und einer normalen Klärshampoo?

Ein normales Klärshampoo reinigt tief und entfernt Produktablagerungen und Fett. Das Metal Detox Shampoo tut dies ebenfalls, konzentriert sich aber speziell auf Metallpartikel im Haar durch den Wirkstoff Glicoamine. Das ist ein wesentlicher Unterschied: Ein Standard-Klärshampoo lässt Metall meist unberührt, während dieses Shampoo es aktiv neutralisiert. Dadurch schützt es Ihre Farbe besser und reduziert Haarbruch auf einem Manier, den ein normales Tiefenreinigungsshampoo nicht erreicht.

Macht dieses Shampoo mein Haar trocken oder eher fettig?

Die meisten Menschen empfinden ihr Haar nach der Anwendung als geschmeidiger und glatter. Haben Sie feines oder schnell fettendes Haar, kann die pflegende Formel das Haar manchmal etwas beschweren. Verwenden Sie in dem Fall weniger Produkt und spülen Sie gründlich aus. Für normales bis trockenes oder geschädigtes Haar ist das Shampoo hervorragend geeignet, ohne auszutrocknen.

Metal Detox oder eine andere Marke: Für wen ist das die beste Wahl?

Das Metal Detox Shampoo ist die beste Wahl, wenn Sie coloriertes oder blondiertes Haar haben und in einer Region mit hartem Leitungswasser leben. Die Kombination aus Metallneutralisation, Farbschutz und einer sanften sulfatfreien Formel ist in diesem Segment einzigartig. Leben Sie in einer Region mit besonders hartem Wasser oder nutzen Sie regelmäßig ein Schwimmbad? Dann kann eine spezialisierte Chelating-Shampoo wie Malibu C für eine einmalige Tiefenbehandlung wirkungsvoller sein. Möchten Sie neben der Reinigung auch aktiv die Haarstruktur reparieren, ist ein Bond Builder wie das Absolut Repair Molecular Shampoo Nachfüllset eine sinnvolle Ergänzung. Für alle mit blondem Haar, die Farbverlust und Haarbruch reduzieren möchten, ist das L'Oréal ProfesSionnel Metal Detox Shampoo Nachfüllset die umfassendste Lösung für den täglichen Gebrauch.

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4.6 ★★★★★
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C.J.
Houston, US
★★★★★ 4
Pretty Good... Not amazing.... But pretty good.
Format: Paperback
Before taking a stab at my first real story I have decided to read two books on the art of writing fiction; "Techniques of the Selling Writer" by Dwight Swain, and the book I am reviewing now, "Plot and Structure" by James Bell. While Swain's book was more of an all inclusive manual on writing interesting fiction, Bell's book is focused strictly on, as the name suggests, plot and structure. What this book is not... This is not a 'how to write a novel' book; if you are going to just read one book on writing a fiction novel then "Techniques of the Selling Writer" may be the more appropriate choice. If you are looking for a book that deals with anything outside of plot and structure, this book will be of no help there either. This book is designed to be supplemental to an already moderately educated reader. If you read Swain's book first, then you will instantly recognize the principles of this book. What this book is... This is a great book on, you guessed it, Plot and Structure. It's actually a fairly concentrated look into the subject. The chapters... Ch 1: What's a plot, anyway? Ch 2: Structure: What holds your plot together. Ch 3: How to explode with plot ideas. Ch 4: Beginning strong. Ch 5: Middles. Ch 6: Endings. Ch 7: Scenes. Ch 8: Complex Plots. Ch 9: The character arc in plot. Ch 10: Plotting Systems. Ch 11: Revising your plot. Ch 12: Plot Patterns. Ch 13: Common plot problems and cures. Ch 14: Tips and Tools for plot and structure. I found the specificity of this book very helpful with each principle being illustrated by a paragraph or so of a known author's work. Bell handpicks excerpts from authors varying from Dean Koontz to Herman Melville, brilliantly pulling text from these masters and showing us how they went about the relevant technique. This easy to read nature and well outlined subject matter means I will be using several of its chapters as a personal reference guide in the future. I'm certain it will keep me from making many of the mistakes beginning writers make and possibly save me weeks in rewrites. I will say this though... "Techniques of the Selling Writer" is a better book and covers plot quite well too; so if you are only going to read one book on writing, that is a damn good place to start. If you want to supplement that reading further, "Plot and Structure" comes highly recommended. [...]
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Reviewed in the United States on May 26, 2010
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fernando pedernera
Pawtucket, US
★★★★★ 5
Have no fear!, or The writer's Victorinox.
Format: Kindle
You can't praise this book enough. There are a ton of how-to books out there, but this one really made a difference for me. Think of writing as a journey through the woods: You set up, you get in the muddle, and you come out (hopefully) on the other side. When doing this, we try to use as many tools and resources as we can to make it to the other side, but most of the time you fail (or tools fail on you) and you end up starving or being eaten by some wild animal in the muddle of the story. What James Scott Bell wants you to have in clear is that the most useful tool you can have out there is YOU. And all of his tips, advice and excercises are aimed to one thing and one thing only: how to unleash and harness the power of your story (and survive). It provides clear, straight-forward tools and tips, adressing many aspects of the writing process you won't find in many of them. It is a must-read for anyone interested in the study of plots and storytelling. Relevant examples that take in consideration a wide array of writer profiles, and Bell does not abuse with film examples (and most of the movies it references are also books i.e.: the maltesse falcon, the godfather, etc.). It contains useful excercises at the end of each chapter to help you put the tehcniques in practice and bring the best out of your learning experience. It really helped me overcome several issues I had with my novel-writing and opened my mind to a new scope on plot and str.. This is a wonderful book, written in the same gripping style that the author suggests to use, and with great success. I think this is a wonderful book because it does not give infalible advice. To me that is very important. Let me ilustrate how I felt by giving you the following example: (after developing content) -Regular book: so just do This (and fail, miserably). -Bell's book: Many writers had this problem before and by doing This you might also find a solution for it. In case That doesn't work, you could maybe try This, or come back at it again later on with a fresh view and give it another try.
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Reviewed in the United States on August 18, 2017
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Nancy C. Beck
Omaha, US
★★★★★ 5
Excellent resource
Format: Paperback
Two novel ideas ago, I had to put that one aside because I stuffed it to the point where the story made no sense. I intend to go back to it at some point, but for now, it's collecting dust. Also collecting dust is my more recent idea. I started with an outline (of sorts), wrote and rewrote it a few times...only to get stuck on Chapter 8 or so. I didn't know where to take the story. This one will probably never get resurrected...but you never know. Which leads me to one of the best things in this book: outlining with index cards. There's at least one other book touting this, but I'm sure there are others that do. What sets this one apart, in my mind, is his suggestions on how to set it up. This doesn't comprise a huge part of the book, but it made enough sense to me that I decided to give it a whirl. Almost 50,000 words later, I'm still chugging along, taking into mind his ideas (I'd never heard it put quite this way) about doorways of no return (more on that in a moment). Sure, I've made some changes, throwing out cards, rearranging cards, adding cards. That's the beauty of this system: it's not set in granite. If your muse takes you in a way that's different from what you originally wrote, go for it! Mr. Bell explains the doorways simply, at first, as transitions - from beginning to middle and then middle to ending. The first doorway gets your Main Character from beginning to middle; the idea is to create a scene where the MC is thrust into conflict in a way that keeps him/her there. With the second doorway (middle to ending), something has to happen to set up the final confrontation. It's usually a huge clue, a big piece of information, or a major crisis that sends the MC hurtling towards the conclusion. Mr. Bell explains these in greater detail, and I found his explanations quite understandable. But there's more to this book than that. Mr. Bell gets into how to come up with plot ideas, character arcs, revising, plot problems and cures, scenes, and tips and tools. I wasn't bothered by his reusing some of the same good writing examples, but it may make you cringe or roll your eyes. Other than that minor quibble, I think everything else about this book makes it shine as a writer's resource.
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Reviewed in the United States on December 1, 2006
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Corwin
Lake Worth, US
★★★★★ 5
Most Helpful Book I've Read on Plot and Structure
Format: Paperback
This is a well-organized, easy-to-read guide to techniques used to develop plots and sound story structure. It includes 14 chapters and two appendices. They cover such topics as what a plot is, how structure holds plot together, how to get ideas, and how to handle/interweave plot into all the levels of a novel (from whole sections such as the Beginning or middle of the work, down to the micro level of individual scenes). He includes discussion of different "plotting systems" (from writing by "the seat of your pants" to types/methods of creating outlines of various levels of "thoroughness" for those interested in mild outlining to someone with full-blown OCD). It discusses complex plots and sub plots, character arcs in relation to plot, common problems and solutions, revision, and more. Every chapter ends with a few exercises to reinforce the topic covered. The two appendices are a checklist for reminding you of major plot components as you write, and how to create "back cover" (aka the blurbs on the back of your book, or the summaries on the inside flap of dust jackets). As a writer, I am a "seat of the pants" guy, who's reluctantly recognized it isn't working for me (a major motivation for getting this book). Bell's discussion of different styles of outlining, though brief, gave me ideas of how to proceed. While I've often read books that include exercises, I confess to rarely doing them -- Bell is an exception (no, I didn't do *all* of them, but.... :) ). His text uses plenty of examples, drawn from movies and well-known novels. I've read other works on plot and structure (both general books and at least two dedicated to these topics), and have found this one to be by far the most readable, instructive, easy-to-digest, and *helpful.*
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Reviewed in the United States on June 17, 2017
C
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Cora L. Foerstner
Battle Creek, US
★★★★★ 5
I have a few instructional writing books I reread; this is one of them.
Format: Paperback
Plot & Structure: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish by James Scott Bell may be the best book for plotting and creating structure in fiction stories that I’ve read. I have a few instructional writing books I reread; this is one of them. Plot & Structure works for writers who don’t use outlines and for those who do. Throughout Bell acknowledges and addresses how his ideas about plot and structure can be used by all writers. This isn’t a “my way or the highway” kind of book. Bell gives practical advice for all writers. What’s so great about Plot & Structure? The biggest plus is Bell’s practical and down to earth strategies and clear explanations. Here are the other greats: Bell’s approach isn’t a how-to formula; it’s more of a guide. His genre is thrillers, but he addresses the needs of other genres as well as those of literary fiction. He provides many strategies writers can use to approach plot and structure; plus, he encourages readers to find their own way of working. The exercises at the end of the chapters are practical. If you try some of them, you’ll discover that they aren’t busywork but helpful approaches to solving writing issues. Unless you’re a pro with so many publications behind you that you don’t need help, this isn’t a book to read once and put away. It’s a book you’ll come back to and get more out of with a second or third reading. If you want a formula or step-by-step program, this isn’t a book for you. He gives choices so you can find you own style and way of working. Which is one of the things like I about the book. It’s like going to a writer buffet and choose the strategies that work for you. If you are someone who writes without an outline, you are going to be surprised because Bell doesn’t leave you out of any of the equations. He has strategies for all writers.
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Reviewed in the United States on November 13, 2014

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