SKU: 47918032409

Vetus P3C Propeller 12 bis 17 Zoll Konus 1:10 ISO 4566 konform

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Vetus P3C Propeller 12 bis 17 Zoll Konus 1:10 ISO 4566 konformAuf Anfrage sind auch andere Gren, Konus, Keil etc. mglich. SCHIFFSSCHRAUBEN Die wichtigste Komponente Ihres Boote VETUS hat hierfr ein spezielles Computerprogramm, mit dem anhand der von Ihnen erteilten Daten ber das Boot genau die fr Ihr Boot passende Schraube bestimmt wird. Die wichtigsten Elemente der Konstruktion und Herstellung von Propellern sind Auswuchtung, Abmessungen, Werkstoff und die Blatt Oberflche. 1. Wenn Sie bedenken, dass eine

Auf Anfrage sind auch andere Größen, Konus, Keil etc. möglich. 

 

SCHIFFSSCHRAUBEN

Die wichtigste Komponente Ihres Boote



VETUS hat hierfür ein spezielles Computerprogramm, mit dem anhand der von Ihnen erteilten Daten über das Boot genau die für Ihr Boot passende Schraube bestimmt wird. Die wichtigsten Elemente der Konstruktion und Herstellung von Propellern sind Auswuchtung, Abmessungen, Werkstoff und die Blatt-Oberfläche.

1. Wenn Sie bedenken, dass eine Schiffschraube manchmal 2.000 Umdrehungen in der Minute macht (das sind nicht weniger als 30 Umdrehungen pro Sekunde), dann werden Sie verstehen, dass eine Schraube optimal ausgewuchtet sein muss.

2. Um die beste Leistung zu erzielen und Vibrationen zu minimieren, ist es äußerst wichtig sicherzustellen, dass die Steigung jedes Blattes identisch ist und dass der Abstand zwischen den Blättern nicht variiert. Dies erfordert eine hohe Fertigungsgenauigkeit.

3. VETUS Propeller sind aus Manganbronze, ein extrem belastbares, aber flexibles Material.

4. Die Wahl eines guten Propellers mit allen oben genannten kombinierten Eigenschaften ist von größter Bedeutung.

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SKU: 47918032409

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4.3 ★★★★★
Based on 16 reviews
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Product Reviews
M
Max
New York, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Massapequa, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Waukegan, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Lake Worth, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Pawtucket, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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