Shigeki Tanaka Aogami #2 Damascus 165mm Nakiri
SKU: 24409447527

Shigeki Tanaka Aogami #2 Damascus 165mm Nakiri

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Description

Shigeki Tanaka Aogami #2 Damascus 165mm NakiriThis Santoku is handcrafted by Shigeki Tanaka with Aogami #2 core, clad with stainless steel and heat treated to 62 63 HRC. The beautiful edge geometry and distal tapering ensure an incredibly smooth cutting performance. The hardness supported by expertly heat treated Aogami #2 steel enables Tanaka to create extreme thinness behind the edge. Featuring a mesmerizing Damascus finish, the blade is paired with a wa handle made of wenge wood and black

This Santoku is handcrafted by Shigeki Tanaka with Aogami #2 core, clad with stainless steel and heat-treated to 62-63 HRC. The beautiful edge geometry and distal tapering ensure an incredibly smooth cutting performance. The hardness supported by expertly heat-treated Aogami #2 steel enables Tanaka to create extreme thinness behind-the-edge. Featuring a mesmerizing Damascus finish, the blade is paired with a wa-handle made of wenge wood and black buffalo horn. 

Spec:

  • Origin (Made in): Miki, Hyogo Prefecture, Japan
  • Brand: Tanaka Kazuyuki Hamono
  • Craftsmen: Shigeki Tanaka
  • Knife Type: Santoku
  • Blade
    • Construction: San Mai
    • Grind: Double-edged Blade (50/50 Grind)
    • Hagane (Core Steel): Aogami #2 (Blue #2)
    • Jigane (Cladding): Stainless Steel
    • Hardness: 62-63 HRC
    • Hand-forged, hand-ground, hand-sharpened
  • Blade Finishes: Damascus
  • Blade Length: 165mm (6.5")
  • Blade Height (at heel): 49mm
  • Spine Thickness
    • Above heel: 2.9mm
    • Middle: 2.2mm
  • Handle
    • Shape: Hachikaku (Octagonal)
    • Material: Wenge
    • Kuchiwa: Black Buffalo Horn
    • Length: 129mm
  • Overall Length: 312mm
  • Weight: 178g (6.27oz)
  • Hand chiselled mark (Front): In Japanese Kanji "Craftsman Shigeki's Work" (名匠 誠貴作)
  • Engraved mark (Back): In Japanese Kanji "Minamoto Aogami#2" (源 青二号)

About Tanaka Kazuyuki Hamono 田中一之刃物

Tanaka's blade making started in the late Meiji era in 1904, by making sickles during the Russo-Japanese War. In 1946, Tanaka workshop started focusing more on kitchen knives, and in the year 2000 with the 3rd generation Kazuyuki Takana (田中 一之) on the throne, the family business changed its name to "Tanaka Kazuyuki Hamono" and has been using this name since. Kazuyuki's son - 4th generation blacksmith Shigeki Tanaka (田中 誠貴) - started making blades with his father in 1994. The father and son team, having learned traditional blade making in Fukui, started making knives with "Shigeki saku" and “Hideyuki saku” mark.

Care:

Aogami #2 (Blue #2) steel is a premium Japanese high carbon steel for knife making. It is not stainless, therefore you must wipe your knife dry after each use, in particular the core steel not covered by the stainless cladding. Patina will develop over time, which will appear as “discoloration” on the cutting edge, but that is the nature of carbon steel - not a defect. The stainless cladding covers a large part of the blade, making maintenance easier but still preserving the cutting and sharpening pleasure of the Aogami #2 core. Avoid cutting into bones, frozen foods, hard fruit pits.

Cutting Surface:

Recommended cutting surface: wood, rubberized boards and high-end composites, and quality plastics such as polyethene make acceptable cutting surfaces, and will help protect and prolong knife’s edge. AVOID glass, metal, countertops, and other rigid, non-forgiving surfaces.

Sharpening:

We recommend sharpening all quality Japanese knives on whetstones, as we believe they yield the best results for your knives. 

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SKU: 24409447527

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Verified Purchase
John Moore
Pawtucket, US
★★★★★ 5
Guided tour through a difficult work
Format: Paperback
For the non-expert reader of Plato, this is a very good text for working through Timaeus. Actually, it may be useful to expert readers as well, but I wouldn't know about that, being firmly situated in the non-expert camp. Though some scholars may take exception to certain parts of Cornford's translation and interpretation, for those of us trying to get through it for the first time and on our own, this is still an exceptional guide. By the way, for an alternative translation and interpretation, the reader may want to check out Kalkavage's translation (Focus Philosophical Library), it is very good (I would rate it 5 stars also) and has some extremely helpful appendices for understanding references to music, astronomy, and geometry.
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Reviewed in the United States on January 6, 2013
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Verified Purchase
Reviewer from San Ramon
Pawtucket, US
★★★★★ 5
Cornford's Plato Cosmology/Timaeus
Format: Paperback
This is an excellent and invaluable reference book for Plato's Timaeus. If you are reading Timaeus you MUST have this book. It contains line-by-line commentary, and also, most valuable, some very helpful illustrations (example: illustration of the human body as Timaeus explained it). I would, however, balance this book with other books that attempt to place Timaeus within the rest of Plato's works. I recommend, for example, Peter Kalkavage's Timaeus. There, he attempts to link Timaeus and Republic.
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Reviewed in the United States on February 8, 2011
W
Verified Purchase
Wilbur F. Pierce
Cuba, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
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Reviewed in the United States on June 8, 2017
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Verified Purchase
David Lemberg
Charlottesville, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
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Reviewed in the United States on November 5, 2015
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Jordan Bell
Omaha, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
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Reviewed in the United States on December 12, 2015

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