Nigara Aogami #2 / Shirogami #2 Coreless Colored Damascus 230mm Yanagiba with Violet Stabilized Wood Handle
SKU: 27688692839

Nigara Aogami #2 / Shirogami #2 Coreless Colored Damascus 230mm Yanagiba with Violet Stabilized Wood Handle

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Description

Nigara Aogami #2 / Shirogami #2 Coreless Colored Damascus 230mm Yanagiba with Violet Stabilized Wood HandleThis Yanagiba showcases the superiority of Japanese craftsmanship. Unlike ordinary Damascus, coreless Damascus is more durable and sharper due to its exceptionally even crystal structure, creating a visually appealing textured pattern on the blade that is beyond one's imagination. The handle is made of stunning violet stabilized wood, offering a comfortable grip and a touch of elegance. Ideal for slicing and filleting, this Yanagiba knife is sure to

This Yanagiba showcases the superiority of Japanese craftsmanship. Unlike ordinary Damascus, coreless Damascus is more durable and sharper due to its exceptionally even crystal structure, creating a visually-appealing textured pattern on the blade that is beyond one's imagination. The handle is made of stunning violet-stabilized wood, offering a comfortable grip and a touch of elegance. Ideal for slicing and filleting, this Yanagiba knife is sure to deliver excellent results time after time. Invest in the best with this exceptional knife and enjoy the superior quality of coreless damascus steel.

Spec:

  • Origin (Made in): Hirosaki, Aomori Prefecture, Japan
  • Brand: Nigara Hamono
  • Craftsman: Tsuyoshi Yoshizawa (吉澤 剛)
  • Knife Type: Yanagiba
  • Blade
    • Construction: Coreless Damascus 
    • Grind: Single Bevel (Right-handed)
    • Steel Type: Aogami #2 (Blue #2) & Shirogami #2 (White #2)
    • Hardness: Unknown
    • Hand-forged, hand-ground, hand-sharpened
  • Blade Finishes: Colored Damascus
    • Blade Length: 230mm (9.1")
    • Blade Height (at heel): 37mm
    • Spine Thickness
      • Above heel: 4.1mm
      • Middle: 3.1mm
    • Handle
      • Premium Custom Handle
      • Shape: Hachikaku (Octagonal)
      • Material: Stabilized Wood
      • Color: Violet
      • Ginmaki: Nickel Copper (x3)
      • Length: 145mm
    • Overall Length: 391m
    • Weight: 206g (7.26oz)
    • About Nigara Hamono 二唐刃物

    With 350 years of history, starting from making swords for Tsugaru clan in the early Edo period, Nigara Hamono has passed down knowhow and skills for eight generations. Its 5th generation blacksmith Kunitoshi Nigara was a legendary sword maker, earning a long list of accolades, honorary titles and knighthood. The current (8th) generation blacksmith — Tsuyoshi Yoshizawa is supported by his father Toshiju Yoshizawa who has keen interests in art and music. Nigara’s famous Anmon design is the result of Toshiju’s love for Andy Warhol’s artworks. The family business’ expansion into construction steelworks has given Nigara unmatched access to in-house knowhow when it comes to advanced finishing. All these set Nigara apart as one of the most special knife makers in Japan.

    Care:

    Aogami #2 (Blue #2) steel is a premium Japanese high carbon steel for knife making. Despite some corrosion resistant quality (for a carbon steel), it is not stainless, therefore you should wipe your knife dry after each use. Patina will develop over time. Rust may develop if left in prolonged contact with water or acidic food. Use a rust eraser to clean if rusts develop. Avoid cutting into bones, frozen foods, hard fruit pits.

    Cutting Surface:

    Recommended cutting surface: wood, rubberized boards and high-end composites, and quality plastics such as polyethene make acceptable cutting surfaces, and will help protect and prolong knife’s edge. AVOID glass, metal, countertops, and other rigid, non-forgiving surfaces.

    Sharpening:

    We recommend sharpening all quality Japanese knives on whetstones, as we believe they yield the best results for your knives.

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
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    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
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    SKU: 27688692839

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    4.3 ★★★★★
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    J
    Verified Purchase
    John Moore
    Charlottesville, US
    ★★★★★ 5
    Guided tour through a difficult work
    Format: Paperback
    For the non-expert reader of Plato, this is a very good text for working through Timaeus. Actually, it may be useful to expert readers as well, but I wouldn't know about that, being firmly situated in the non-expert camp. Though some scholars may take exception to certain parts of Cornford's translation and interpretation, for those of us trying to get through it for the first time and on our own, this is still an exceptional guide. By the way, for an alternative translation and interpretation, the reader may want to check out Kalkavage's translation (Focus Philosophical Library), it is very good (I would rate it 5 stars also) and has some extremely helpful appendices for understanding references to music, astronomy, and geometry.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on January 6, 2013
    R
    Verified Purchase
    Reviewer from San Ramon
    Lowell, US
    ★★★★★ 5
    Cornford's Plato Cosmology/Timaeus
    Format: Paperback
    This is an excellent and invaluable reference book for Plato's Timaeus. If you are reading Timaeus you MUST have this book. It contains line-by-line commentary, and also, most valuable, some very helpful illustrations (example: illustration of the human body as Timaeus explained it). I would, however, balance this book with other books that attempt to place Timaeus within the rest of Plato's works. I recommend, for example, Peter Kalkavage's Timaeus. There, he attempts to link Timaeus and Republic.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 8, 2011
    W
    Verified Purchase
    Wilbur F. Pierce
    Natrona Heights, US
    ★★★★★ 5
    An Excellent Choice
    Format: Paperback
    Excellent introduction, notes and translation.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 8, 2017
    D
    Verified Purchase
    David Lemberg
    Omaha, US
    ★★★★★ 5
    Five Stars
    Format: Paperback
    Professor Cornford's translation with running commentary is definitive.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on November 5, 2015
    J
    Jordan Bell
    Port Orchard, US
    ★★★★★ 5
    Plato's dialogue about the physical world
    Format: Paperback
    The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 12, 2015

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