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Les Filles de Illighadad [Niger] – Eghass Malan – New LPFatou Seidi Ghali, lead vocalist and performer of Les Filles de Illighadad is one of the only Tuareg female guitarists in Niger. While Fatous role as the first female Tuareg guitarist is groundbreaking, it is just as interesting for her musical direction. The forgotten inspiration of Tuareg guitar, they are reclaiming its importance in the genre and reclaiming the music of tende. Fatou Seidi Ghali, lead vocalist and performer of Les Filles de Illighadad is one of the only Tuareg female guitarists in Niger. While Fatou’s role as the first female Tuareg guitarist is groundbreaking, it is just as interesting for her musical direction. The forgotten inspiration of Tuareg guitar, they are reclaiming its importance in the genre and reclaiming the music of tende.
Les Filles de Illighadad present their first ever studio album “Eghass Malan.” The female led avant rock group hailing from the village of the same name bring their new genre of Tuareg guitar mixed with traditional rural folk. Versed in tradition, Fatou Seidi Ghali and her band have created contemporary studio versions that are unlike anything ever before recorded, transporting rural nomadic song into the 21st century.
Les Filles are all from Illighadad, a secluded commune in central Niger, far off in the scrubland deserts at the edge of the Sahara. The village is only accessible via a grueling drive through the open desert and there is little infrastructure, no electricity or running water. But what the nomadic zone lacks in material wealth it makes up for deep and strong identity and tradition. The surrounding countryside support hundreds of pastoral families, living with and among their herds, as their families have done for centuries.
The sound that defines rural Niger is a music known as “tende.” It takes its name from a drum, built from a goat skin stretched across a mortar and pestle. Like the environs, tende music is a testament to wealth in simplicity, with sparse compositions built from a few elements, vocals, handclaps, and percussion. Songs speak of the village, of love, and of praise for ancestors. It is a music form dominated by women. Collective and communal, tende is tradition for all the young girls of the nomad camps, played during celebrations and to pass the time during the late nights of the rainy season.
In the past years, certain genres of Tuareg music have become popular in the West. International acts of “desert blues” like Tinariwen, Bombino, and Mdou Moctar have become synonymous with the name “Tuareg.” But guitar music is a recent creation. In the 1970s young Tuareg men living in exile in Libya and Algeria discovered the guitar. Lacking any female vocalists to perform tende, they began to play the guitar to mimic this sound, replacing water drums with plastic jerrycans and substituting a guitar drone for the vocal call and response. The exiled eventually traveled home and brought the guitar music with them. In time, this new guitar sound came to eclipse the tende, especially in the urban centers. If tende is a music that has always been sung by woman, the Tuareg guitar was its gendered counterpart, and Tuareg guitar music is a male dominated scene.
Fatou Seidi Ghali, lead vocalist and performer of Les Filles is one of the only Tuareg female guitarists in Niger. Sneaking away with her older brother's guitar, she taught herself to play.While Fatou's role as the first female Tuareg guitarist is groundbreaking, it is just as interesting for her musical direction. In a place where gender norms have created two divergent musics, Fatou and Les Filles are reasserting the role of tende in Tuareg guitar. In lieu of the djembe or the drum kit, so popular in contemporary Tuareg rock bands, Les Filles de Illighadad incorporate the traditional drum and the pounding calabash, half buried in water. The forgotten inspiration of Tuareg guitar, they are reclaiming its importance in the genre and reclaiming the music of tende.
Recorded on their debut tour in Europe after just a handful of concerts, “Eghass Malan” maintains a feeling that is spontaneous and inspired. With a minimal effects in an artist led production, Les Filles stay true to their form and origin. Hypnotic guitar riffs, driving rhythm, and polyphonic resonant vocals combine to create an organic sound that is timeless and ancient, bridging ancient tradition and modern worlds. With songs of love, celebrating the village, and praise for the desert and its people, Les Filles create a repertoire of ancient songs, village tende favorites, and new classics. Les Filles de Illighadad breath new life into the genre, and "Eghass Malan” promises to shake up Tuareg guitar both at home and abroad.
Les Filles are all from Illighadad, a secluded commune in central Niger, far off in the scrubland deserts at the edge of the Sahara. The village is only accessible via a grueling drive through the open desert and there is little infrastructure, no electricity or running water. But what the nomadic zone lacks in material wealth it makes up for deep and strong identity and tradition. The surrounding countryside support hundreds of pastoral families, living with and among their herds, as their families have done for centuries.
The sound that defines rural Niger is a music known as “tende.” It takes its name from a drum, built from a goat skin stretched across a mortar and pestle. Like the environs, tende music is a testament to wealth in simplicity, with sparse compositions built from a few elements, vocals, handclaps, and percussion. Songs speak of the village, of love, and of praise for ancestors. It is a music form dominated by women. Collective and communal, tende is tradition for all the young girls of the nomad camps, played during celebrations and to pass the time during the late nights of the rainy season.
In the past years, certain genres of Tuareg music have become popular in the West. International acts of “desert blues” like Tinariwen, Bombino, and Mdou Moctar have become synonymous with the name “Tuareg.” But guitar music is a recent creation. In the 1970s young Tuareg men living in exile in Libya and Algeria discovered the guitar. Lacking any female vocalists to perform tende, they began to play the guitar to mimic this sound, replacing water drums with plastic jerrycans and substituting a guitar drone for the vocal call and response. The exiled eventually traveled home and brought the guitar music with them. In time, this new guitar sound came to eclipse the tende, especially in the urban centers. If tende is a music that has always been sung by woman, the Tuareg guitar was its gendered counterpart, and Tuareg guitar music is a male dominated scene.
Fatou Seidi Ghali, lead vocalist and performer of Les Filles is one of the only Tuareg female guitarists in Niger. Sneaking away with her older brother's guitar, she taught herself to play.While Fatou's role as the first female Tuareg guitarist is groundbreaking, it is just as interesting for her musical direction. In a place where gender norms have created two divergent musics, Fatou and Les Filles are reasserting the role of tende in Tuareg guitar. In lieu of the djembe or the drum kit, so popular in contemporary Tuareg rock bands, Les Filles de Illighadad incorporate the traditional drum and the pounding calabash, half buried in water. The forgotten inspiration of Tuareg guitar, they are reclaiming its importance in the genre and reclaiming the music of tende.
Recorded on their debut tour in Europe after just a handful of concerts, “Eghass Malan” maintains a feeling that is spontaneous and inspired. With a minimal effects in an artist led production, Les Filles stay true to their form and origin. Hypnotic guitar riffs, driving rhythm, and polyphonic resonant vocals combine to create an organic sound that is timeless and ancient, bridging ancient tradition and modern worlds. With songs of love, celebrating the village, and praise for the desert and its people, Les Filles create a repertoire of ancient songs, village tende favorites, and new classics. Les Filles de Illighadad breath new life into the genre, and "Eghass Malan” promises to shake up Tuareg guitar both at home and abroad.
Produced by Christopher Kirkley
Co-Produced by Les Filles de Illighadad, Mathieu Petolla, Bear Machine
Engineered / Recorded by Bear Machine: Björn Sonnenberg & Jan Niklas Jansen at Bear Cave Studios, Cologne
Residency support Week-End Fest
Mixed by Jason Powers
Mastered by Timothy Stollenwerk
Artwork by Christopher Kirkley
Photo by Mathieu Petolla
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4.7 ★★★★★
Based on 382 reviews
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Product Reviews
★★★★★ 5
Excellently done!
Format: Kindle
Welcome to the jungle! This is the first volume of “The Jungle Book.” Mowgli is a man-cub who is raised by a wolf pack in the jungle. Other stories included in this book is Rikki-Tikki-Tavi, Toomai of the elephants and the white seal. The stories were enjoyable to read. The artwork was perfect for the stories of the book. If you are expecting the story to be like the Disney movie — it’s not. There are some scary moments in the story. It’s a fascinating look of what life in the jungle could be like. Reading this manga story has made me want to go and read the original story. I have also become a fan of manga graphic novels . This is the first time that I have read one. This manga is very well done. I recommend it to everyone!
Disclaimer: I received an arc of this book from the author/publisher from Netgalley. I wasn’t obligated to write a favorable review or any review at all. The opinions expressed are strictly my own.
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Reviewed in the United States on July 2, 2022
★★★★★ 5
Superb Retelling of Classic Tales
Format: Paperback
The Jungle Book, by Rudyard Kipling and Chrystal S. Chan, is an illustrated Manga Classic book retelling seven different stories in a complete illustrated format. Six poems are interspersed among the stories, providing a sing-song character feel while helping to clarify the culture being illustrated. The stories target younger readers who enjoy action and adventure. Since this is a Manga book and is read differently than others types of books, a brief but detailed explanation is provided as well.
I found the artwork to be superb, from the human characters to the animals. The detail that accompanied the characters is well drawn and easy to understand. It is obvious the artist has years of art experience, being able to create this type of book with the detail you see. Stories such as The Jungle Book are based on much longer books, and these graphic novels must present the right words (and the right amount) to move the story along to let the reader experience the story to its fullest, and this book certainly did not disappoint.
This book was a quick and thoroughly enjoyable read, and hard to put down. With each new story came a set of exciting new characters, adventures and background history of its people. You see a culture that may contrast sharply with the one you’ve grown up with, and it goes far it describing the various castes in this society. I would highly recommend this book to anyone who enjoys reading Manga comics, especially for those who embrace adventure.
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Reviewed in the United States on November 23, 2017
★★★★★ 4
I love this series and have read them all
Format: Paperback
I was so thrilled when I saw a new Manga Classics was out! I love this series and have read them all. Jungle Book excited me as 1) I've read the original and 2) these are short stories, something the series has not done before. The art is just as magnificent as on previous volumes and the author notes on adapting the original at the back are as illuminating as ever. This series stay as close to the originals as possible only adding artistic license where necessary to adapting a printed word novel to an illustrated manga format. The Jungle Book succeeds and presents a well-told version of the original seven stories: 4 featuring Mowgli and three others. The Mowgli stories aren't exactly chronological but they flow nicely told together and of the three stand-alone stories Rikki-Tikki-Tavi is my favourite as it is in the original. Be warned though that this (and others in the series) are sourced from the original material, not anything like its Disney counterpart. I don't think the short story format works as well in manga as it does in text so this is not my favourite of all the books (Great Expectations and Scarlet Letter probably are) but this is well done, nevertheless, and will encourage readers to pick up Kipling's classic if they have not already.
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Reviewed in the United States on June 3, 2017
★★★★★ 5
Great work but missing an important character.
Format: Paperback
I bought this and another manga classic from Barnes&Noble and as I've read through the two, which are extremely good. I've noticed that in this one, it's missing one character Tabaqui the jackal , Shere Khan's lackey. It's just that I've read the the jungle book and in the beginning of Mowgli's Brothers Tabaqui informs the wolf family after praising them for their generous offer of scrap food that his master Shere Khan has entered their Territory and is on the hunt for man. But in this interpretation of the manga classic there's no Tabaqui the jackal. Weird isn't it. But aside from it . It's an amazing work of art. Hopefully in the future the people who worked very hard on this will make it more accurate to the story itself as well any and all future manga classic interpretations.
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Reviewed in the United States on June 17, 2017
★★★★★ 5
Well done classic
Format: Paperback
A very well-done Manga book. The artist captures the feel of these books and retells the classic Rudyard Kipling story in an eye-catching way.
Recommended for young readers and as a classroom or library resource.
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Reviewed in the United States on September 2, 2017