Family Dynamics – Service [BLUE & GOLD MARBLE VINYL] - New LP
SKU: 45352577092

Family Dynamics – Service [BLUE & GOLD MARBLE VINYL] - New LP

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Family Dynamics – Service [BLUE & GOLD MARBLE VINYL] - New LPLP Ltd Edition 180g Blue & Gold Marble Vinyl, Reverse Board Jacket, OBI strip [w download card] Service by Family Dynamics< a> An archival release of this head scratching 2010 recording made by members of the freshly disintegrated Stars Like Fleas (called NYs most sublime and continuously undiscovered band by PAPER Magazine): an amalgam of goth adjacent 80s DIY cassette culture, private

 

LP Ltd Edition 180g Blue & Gold Marble Vinyl, Reverse-Board Jacket, OBI-strip [w/ download card]

An archival release of this head-scratching 2010 recording made by members of the freshly disintegrated Stars Like Fleas (called “NY’s most sublime and continuously undiscovered band” by PAPER Magazine): an amalgam of goth-adjacent 80s DIY cassette culture, private press new age, electro-acoustic improvisation, Italian prog rock, and community choirs. 
The debut album by Family Dynamics. Family Dynamics is Laura Ortman, Shelley Burgon, Ryan Sawyer & Shannon Fields.

BIO
Service is the sole recording by Family Dynamics (2010-2012), the brief and brightly burning offshoot of anarchic and polarizing Brooklyn music collective Stars Like Fleas. Not yet ready to let go of their musical relationship, Family Dynamics' four members splintered from Stars Like Fleas in 2010, following legendarily chaotic performances at MoMA (NYC), Centre Pompidou (Paris), and the release of its final album, The Ken Burns Effect ("you need to hear it", Pitchfork; “a work of mad genius”, NPR; “has an eerie power”, The New York Times; “sublime”, Paper Magazine; “a resounding success”, Time Out NY; “uncanny”, The Village Voice; “Recommended”, Other Music).

Service was collectively composed, improvised and sung by Laura Ortman (Whitney Biennial sound artist, composer, violinist/guitarist, collaborated with Tony Conrad, Okkyung Lee, Raven Chacon), Shelley Burgon (harpist/sound artist with Bjork, Anthony Braxton, John Zorn, William Tyler, Milo Hatori), Shannon Fields (producer and performer with Leverage Models, Helado Negro, Duane Pitre Ensemble, Field Guides, etc.), and Ryan Sawyer (drummer whose long CV includes Gang Gang Dance, Boredoms, Jandek, Thurston Moore, Matana Roberts, Wendy Eisenberg, Chris Forsyth, and Sun Ra’s Marshal Allen).

Service commits to building a world where raw, brutalist group vocals, melodic immediacy, fiercely idiosyncratic instrumental improvisations, magical realist lyrics, analog synthesizers and consumer electronics coexist in a delicate, surreal balance. This short album travels mystifying distances without losing its way, recalling 70’s private-press new age, the improvisations of AAM, goth-adjacent 80s DIY cassette culture, Italian electro prog rock and community choirs – sometimes within the same song.

With evident love, humor, sincerity, anxiety, ecstasy and intimacy, in Service Family Dynamics attempted to wrap its arms around the entirety of the human animal, from within the perspective of one small, battle-scarred friend/family unit.

RIYL: Tuxedomoon, early 80s Psychic TV, Jewelled Antler Collective, Robert Wyatt, Mariah, Kate NV, early Animal Collective, Tower Recordings, Legendary Pink Dots, Beverly Glenn-Copeland
 

credits

released October 20, 2023

All songs written, arranged, performed by Family Dynamics

Recorded by Family Dynamics with the assistance of Eli Walker at The Isokon, Woodstock, NY

Produced by Shannon Fields

Mixed & Mastered by D. James Goodwin at The Isokon, Woodstock, NY
Vinyl Mastering by Joe Lambert Mastering
Vinyl Lacquer cut by Carl Rowatti at Trutone Mastering Labs Inc.


Special thanks to Benedict Kupstas, Nico Hedley, Dave Scanlon, and Martin Otis for donating their time and resources to make the Whatever's Clever reissue happen. Thanks to D. James Goodwin & Eli Walker for donating their expertise, time & equipment to make this happen. Thanks to our Adam Heathcott and Sara Padgett Heathcott and the label they ran, Hometapes -- without their initial encouragement this music would likely never have been created, performed or recorded.

Album packaging / graphic design: Benedict Kupstas
Cover photograph: Bryan Zimmerman

Family Dynamics:
Ryan Sawyer: Voice, drums/percussion, acoustic guitar, melodica
Laura Ortman: Voice, electric guitar, acoustic guitar, violin, sampler, piano
Shannon Fields: Voice, acoustic guitar, synthesizers, keys/MIDI, banjo, mandolin, piano, clarinet, accordion, dulcimer
Shelley Burgon: Voice, harp, sound design, keys, baritone electric guitar, acoustic guitar

** Safe Operations features Matt Lavelle on bass clarinet



From 2009-2011, Family Dynamics said what they had to say and then vanished, their members separately going on to celebrated musical careers of their own. The project emerged from the still smoldering ashes of volatile art-music collective Stars Like Fleas, one of the earliest and most polarizing bands to define the early aughts North Brooklyn music scene that produced Grizzly Bear, Dirty Projectors, Animal Collective, TV On The Radio, Liars and others who went on to enjoy broader appeal and success. Family Dynamics performed for barely two years before unceremoniously vanishing, without any widely available record or document. Whatever’s Clever is thrilled to (re)issue this buried treasure, self-recorded in a cabin in Woodstock, NY, at their creative peak, and never before issued in physical format.

RIYL: Tuxedomoon, early 80s Psychic TV, Jewelled Antler Collective, Robert Wyatt, early Animal Collective, Tower Recordings.

 

Short-lived offshoot of Stars Like Fleas, created by Shelley Burgon, Laura Ortman, Shannon Fields & Ryan Sawyer. Service is the only recording of the band, an album that travels mystifying distances without losing its way, recalling private-press new age, the electroacoustic improv of AAM, gothy 80s lo-fi cassette scenes, Italian electro-prog & community choirs – often within the same song



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SKU: 45352577092

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Reviewed in the United States on February 26, 2026
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Henry
Lexington, US
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I really like the commentary and expect it to be a cherished addition for my Bible study. The books are well made and should last a long time.
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Reviewed in the United States on November 10, 2025
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Xiuhcoatl
Cuba, US
★★★★★ 5
Font of knowledge
Format: Hardcover
When the package arrived, the box was torn from one side, and I was full of apprehension thinking the books would be ripped, and ruined. Thankfully the books arrived pristine, and no dents or even blemishes. As for the subject of the books, they are giving me more information than I ever thought I would be getting. These books are excellent to better get an understanding of scripture.
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J. Leslie
Belleville, US
★★★★★ 5
Excellent Expository Commentary
Format: Hardcover, Format: Hardcover
I recently added the English Standard Version Expository Commentary to my library. This relatively new release has quickly become an invaluable resource for my personal study. The layout is exceptionally well designed. Each section begins with an overview of the passage, followed by the Scripture text itself. A concise section summary and an outline of the verses under consideration then provide helpful structure. Finally, the commentary offers thoughtful exposition, typically presented verse by verse or by clearly defined segments. Each volume opens with a thorough introduction to the book, beginning with an overview of the text and title and authorship information. Where relevant, the evidence supporting the work’s authorship and reliability is presented, and complex or disputed passages are addressed. The introduction also discusses the date of composition and the historical circumstances surrounding the text. This is followed by an examination of the book’s genre and literary structure—for example, whether it was written in Hebrew or Greek and why that matters. The author's theological perspective is then explored, along with how the book fits within and contributes to the broader message of Scripture. A key question guiding the introduction is how this book relates to the rest of the Bible. The result is a rich understanding of the cultural context, way of life, and interpretive challenges faced by the reader. An extensive outline precedes the scriptural text itself. The commentary that follows is highly readable. My older NIV Expositor’s Bible Commentary tends to be more academic, particularly in its treatment of the original languages. By comparison, the ESV edition is both comprehensive and accessible. I consistently come away with all the essential information I need for serious study without being overwhelmed. Physically, the volumes are attractive and well-constructed. The paper is thicker than that found in many comparable commentaries, the binding is sturdy and appears to be Smyth-sewn, and the typeface is easy on the eyes. The footnotes and endnotes are also clear and readable, contributing to an overall impression of quality and durability. This belongs in any serious Bible student's or pastor's library.
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Cinnamon and Whiskers
Cuba, US
★★★★★ 5
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